2021 Book Awards
The long and shortlists for the 2021 Photography and Moving Image Book Awards have been announced
The Foundation is delighted to announce the long and shortlists for the 2021 Photography and Moving Image Book Awards, chosen from over 180 submissions. The books in the running address global issues related to gender, identity, history, social injustices, community and memory.
Ranging from untold stories of contemporary society, to innovative thinking about the future of film from an African perspective, the diverse lists reflect the Foundation’s enduring recognition of attentive and original books that will likely have a lasting impact on their field.
This year’s winners will receive prize money of £5,000 each. For both categories, the shortlist selected by the judging panel aims to showcase innovative and coherent bodies of work with a focus on cultural relevance for our current times and in years to come. The judges also placed emphasis on each publication’s design, texture and haptic qualities, elements indicative of the collaborative approach taken by writers, artists, editors and designers.
Winners of both categories will be announced on the 18th May, with virtual events centred around the winning titles taking place on 1 and 3 June 2021, hosted by and in partnership with The Photographers’ Gallery
The Kraszna-Krausz Book Awards, first established in 1985, are open to all Moving Image and Photography books published in the previous year and available in the UK.
Watch the short film about the 2021 Shortlist:
2021 Moving Image Book Award Shortlist
Yamamoto’s sophisticated exploration of Japan’s active, but previously unrecognised, participation in global film theory is an exemplary example of why Anglophone film theory must look beyond the Euro-American canon and how this might be done. Within the book Yamamoto examines a variety of Japanese theorists working in the fields of film, literature, avant-garde art, Marxism, and philosophy, and offers a new approach to cinematic realism.
In Making Images Move: Handmade Cinema and the Other Arts, Zinman reveals a new history of cinema by exploring moving image artworks that engage deeply with tactility and materiality and the artists who worked experimentally in the intersection between art and media..
On the Run and Interviews with Med Hondo are a long overdue exploration of the life and work of a significant and influential filmmaker, and one of the pioneers of African cinema. These books offer insights into Hondo’s profound intellect and humanity, and pay tribute to his films and practice which look to the past to imagine the future of film and cinema from an African perspective.
Skvirsky’s original book introduces and theorises the previously unacknowledged ‘process genre’. The book explores the visualisation of steps of labour that culminate in a finished product, from IKEA assembly guides, to ‘hands and pans’ cooking videos on social media.
“Now seems to be a particularly relevant time to be thinking about moving pictures and sounds, and how this field interacts with other ideas about humanity. We are in the middle of a technological revolution, where there is an acceleration of new ways to make and experience moving images and sound. So it didn’t surprise me to see a noticeable collection of books musing on the future by looking to the past.”
Professor Gideon Koppel, Judge, Moving Image Book Award
2021 Moving Image Book Award Longlist
The 2021 Moving Image Book Award was judged by:
Erika Balsom is Reader in Film Studies at King’s College London. She is the author of, most recently, After Uniqueness: A History of Film and Video Art in Circulation (2017) and An Oceanic Feeling: Cinema and the Sea (2018), and the co-editor of Artists’ Moving Image in Britain Since 1989 (2019). Alongside her academic work, she regularly writes criticism for publications including Artforum, 4Columns, and Cinema Scope, and co-curated the film programme “Shoreline Movements” for the 2020 Taipei Biennial. In 2017, she was awarded a Leverhulme Prize.
Steven Bode is Director of Film and Video Umbrella, the UK’s leading makers of artists’ moving image. During his time in that role, he has initiated and overseen almost two hundred different projects, including major new works from internationally-acclaimed artists such as Ed Atkins, Duncan Campbell, Tacita Dean, Johan Grimonprez, Isaac Julien, Mark Leckey, Melanie Manchot, Elizabeth Price, Gillian Wearing, and Jane & Louise Wilson. Alongside this commissioning activity, he has also curated a number of other large-scale group exhibitions such as ‘Somewhere Becoming Sea’ (2017, for Hull UK City of Culture); ‘There is No Road’ (2008, for LABoral, Gijón, Spain); ‘The Other Side of Zero’ (2000, for Video Positive, Liverpool), ‘Airport’ (1997, for Photographers’ Gallery, London, with Jeremy Millar), several editions of the Jerwood/FVU Awards, and film and video programmes such as ‘New Video from Great Britain’ (1997, for MoMA, New York). He has written extensively about video, film and contemporary art for several publications, and has contributed essays to many artists’ monographs, including substantial texts on Dryden Goodwin (for the book, ‘Cast’, 2009) and Zineb Sedira (for ‘Beneath the Surface’, 2011) as well as catalogue essays for numerous Film and Video Umbrella publications.
Gideon Koppel is an artist and filmmaker, perhaps best known for the feature-length film ‘sleep furiously’ which has a soundtrack by Aphex Twin. He is Professor of Film at Manchester School of Art and an Associate Fellow at Green Templeton College, University of Oxford.
2021 Photography Book Award Shortlist
Basu’s Centralia brings to light the important lives of indigenous women in India and their families, whose voices, stories and fight are rarely heard. Through a highly intelligent combination of texts and powerful images, the book explores the ways that our perceptions of reality and truth are often manipulated.
In Destiny, Russell-Cook presents a timely monograph showcasing over 40 years of work by photographer and artist Destiny Deacon. Deacon is known for having coined the term ‘blak’, and her work across photography, video, printmaking, mixed media and installation is an interrogation of the way in which Aboriginal people have been, and continue to be, misrepresented within popular culture.
Kapajeva’s book is an extraordinary journey through contemporary social history and personal memory. Dream is Wonderful, Yet Unclear explores the community, of which Kapajeva’s family was part, surrounding a now closed textile mill in Narva, Estonia, that suffered deeply after Estonia asserted its independence from Russia. With a focus on women and socio-political matters in post-Soviet culture, the work is beautifully clever and conceptually rigorous.
Sunil Gupta’s life and long career in photography and activism are charted through a rich volume of personal and political archival material. Gupta’s socially engaged projects and works have been instrumental in raising awareness and visibility around the political realities concerning the fight for international gay rights, and the book traces the intersectional histories of migration and gay liberation.
“This year’s longlist demonstrates that photography books with substance are more powerful than simply beautiful photography. The submissions revealed a strong sense of innovative storytelling about contemporary society, made clear through the way images have been combined as well as the texts included and the design of the books. The longlist is an incredible mix of archive, artists, historians, photographers and theorists.”The judging panel for the Photography Book Award
2021 Photography Book Award Longlist
The 2021 Photography Book Award was judged by:
Patrizia Di Bello is Professor of History and Theory of Photography at Birkbeck, University of London where she co-directs the History and Theory of Photography Research Centre and, with students and colleagues inside and out of the University, looks after the Jo Spence Memorial Library Archive. She is the editor-in-chief of the journal History of Photography. Her most recent publication is ‘Carlyle like a rough block of Michael Angelo’s’: Thinking Photography through Sculpture in Julia Margaret Cameron’s Portraits’ in Photography and the Art: Essays on Nineteenth-century Practices and Debates, edited by Juliet Hacking and Joanne Lukitsh (Bloomsbury 2020), pp.115-127. Books include Sculptural Photographs from The Calotype to Digital Technologies (Bloomsbury 2017), The Photobook from Talbot to Ruscha (IB Tauris, 2012), edited with Colette Wilson and Shamoon Zamir, and Women’s Albums and Photography in Victorian Britain: Ladies, Mothers and Flirts (Ashgate 2007).
Anna Fox (b.1961) is one of the most acclaimed British photographers of the last thirty years and is Professor of Photography at the University for the Creative Arts. Working in colour, Fox first gained attention for Work Stations: Office Life in London (1988), a study of office culture in Thatcher’s Britain. She is best known for Zwarte Piet (1993-8), a series of twenty portraits taken over a five-year period that explore Dutch black-face’ folk traditions associated with Christmas. Her collaborative projects Country Girls and Pictures of Linda challenge our views about rural life in England. Anna Fox Photographs 1983 – 2007, was published by Photoworks in 2007. Fox’s solo shows have been seen at Photographer’s Gallery, London, Museum of Contemporary Photography, Chicago amongst others and her work has been included in international group shows including Centre of the Creative Universe: Liverpool and the Avant Garde at Tate Liverpool and How We Are: Photographing Britain at Tate Britain. She was shortlisted for the 2010 Deutsche Borse Photography Prize and her joint exhibition with Karen Knorr, Another Way of Telling curated by Shanghai Center of Photography toured China in 2018-19. Fox is currently working on the research project Fast Forward; women in photography for which she was awarded a Leverhulme nternational Networks Award. www.fastforward.photography.com also see annafox.co.uk
With over 30 years experience Jennie Ricketts is an independent photography editor, curator, consultant and mentor. For 17 of those years she was a picture researcher and then picture editor at The Observer Magazine, commissioning and editing photography which attracted international recognition and widespread publication. She launched the Jennie Ricketts Gallery in Brighton in 2006 while writing and lecturing and now operates from County Wicklow, Ireland as an online space representing international photographers. She is currently a Trustee for Autograph ABP, The Martin Parr Foundation and a member of the Advisory Board for PhotoIreland, Dublin.